Threads – Fabric of the Universe by Tom Tinney is set just over 500 years into the future. There is a sadistic killer on the loose, and he could be anywhere in the universe - literally. Twin brothers, Mark and Matt Williams, have been recruited to serve in a special unit of the USS Marshals due to the special ability the twins have: threading, a type of mental communication that reads like a shorthand Twitter message. With special brain implants that are basically high powered computers, they can access almost unlimited data. With ISTEC, a company owned by an extremely wealthy group of people hiding their own explosive secret, Matt, aided by Mark stationed at headquarters, eventually becomes involved in finding the killer on the loose, and aiding in exposing the secret held by ISTEC for 300 years.
Threads - Fabric of the Universe is an incredibly complex story. Well written, and highly descriptive, the plot and subplots are layered nicely. There are a lot of characters in this book, with quite a bit of back story and technology to explain, but it was necessary to the story, and wasn't uninteresting. I do wish it could have been spread out more, but as I turned the last page, I'm glad I stayed with it. I think the author wove his own magical threads in creating characters and worlds that were very believable. With technology worth drooling over, I think this is what hardcore sci-fi readers dream of, and even those who aren't will find this an engrossing and enjoyable story. Reviewed by Chameleon (B.G.) for Reader's Favorite
Q. Tom, Threads is quite a story.
What inspired you to write it?
A. First, I want to thank you for
this opportunity to talk about Threads. I’d had the storyline in my
head for a long time. The basic three “mechanisms” of the story
(Threading, The DSMM to allow intergalactic travel and the lone USS
Marshal as the ultimate protector of rights in an expanding sphere of
human colonization).and the beginning plot arc. As in a single plot
arc.
I was describing the story for
“the book I was going to write someday” to a co-worker and he was
adamant that I should just take the time and write it. So I did.
Once I began thinking about the
characters, the book’s universe and how to connect those basic
mechanisms, I suddenly had a whiteboard full of history, places,
people, tech and plot arcs. I wrote the basic “rules of the
universe” and applied my “free- enterprise/ individual
effort/personal responsibility” take on success in life. I’m a
Biker-nerd with serious “Don’t tread on me” issues.
As I made those notes, I found
all of the plot twists and antagonists. I found ISTEC (Intra Stellar
Transportation and Exploration Company). I determined that
businesses and personal prosperity will drive our expansion, but I
had to demonstrate that it could only do that after a massive failure
of government control, socialism and oppression centuries before
(which would be late in this century). I just followed the
breadcrumbs after that.
Q. That's an incredible process,
Tom, honestly, it amazes me. Though this book is set 500 years into
the future, the technology you describe seemed so natural, how did
you come up with it?
A. I geek out…a lot. When I needed
a device to “get something done” I invented or extrapolated it. I
always knew that the pigeon was going to be how we communicated in
the future. It’s as close to instant as we can get across those
distances, which is why the USS Marshals have a slight advantage over
criminal enterprises. I knew there had to be a way to stop Threaders
(or those in dire consequences who have had their thread broken), so
I invented the Nano-Storm.
Personal Implants are going to
happen quickly, once we get over our fear of “Skynet”. I paid
homage to William Gibson with how the tech is handled, implemented
and used by people, even referring to his ICE technology. Gibson and
Herbert were huge influences in my writing.
I have been asked why I did not
make the implants “wireless”, eliminating the need for cable
interconnects. That was simple and harkened back to my days in the
USAF. They are wireless for mundane things, but for any priority or
important interfaces, you go with a cable. It is all about security.
When a signal is broadcast, it can be intercepted and decoded. I was
somewhat prophetic in that instance, the way the NSA is grabbing our
communications. Direct connection also minimizes interference. It
serves as a great story mechanism.
I will stop there, because if we go too much further, I start introducing spoilers.
I will stop there, because if we go too much further, I start introducing spoilers.
Q. Ok, let's not do that, because
this is such a good read, I want readers to be surprised. Your
character and world building were excellent. Many authors base their
characters on people they actually know, did you do that with any of
yours?
A. With the good guys, they are an
amalgamation of people I have met, read about or imagined, that live
to higher ideals. I did not make them perfect. I gave them flaws;
physical, emotional and decision-making. Nobody got a free pass.
The bad guys? They are mostly a
reflection of the idiots and jerks I have met. Or politicians. Yeah,
there is a political slant that will be easy for the savvy reader to
figure out. I tried not to be cliché in their badness, but I wrote
them from a mindset of “what will make the reader REALLY hate this
guy?” and then the character did or said or acted on that thing.
The main antagonist? He comes from a dark place. It was uncomfortable
to write who he was and what he does. I have gotten some blowback
over the level and description of the sexually oriented violence. I
can live with that. Those sections are a grand total of four
paragraphs in a 520 page novel. Do you hate the guy? Good. You
should.
Q. I didn't think the sexual aspects
were overdone, personally. I really liked your story premise, but I
was truly impressed with how flawlessly you kept the story flowing so
well through the entire length of the book. No mean feat, even for
seasoned authors. Did it really flow that well for you when you wrote
it?
A. When I started actually writing
Threads, I completed it in six weeks, 185,000 words. I wrote three to
four hours per night, most weekends and had the draft ready for first
edit at the end of that time. I used a detailed spreadsheet that I
created to track all of the characters, calculations for
travel/history/technology, chapter outlines, etc. I understand that
there is software that does this, but it was my first book, so I used
what I knew. I also checked off each of the plot arcs and the story
points on the white board as they were implemented. Believe it or
not, that was the easy part. The writing, dialogue, world building
and plot twists come naturally.
And then the real work started.
It took almost a year to shake out the formatting, grammar, spelling,
punctuation and rework the finer points of my fat finger issues.
There were three editors helping at different times, but Paul was
there the entire project (he was the one that said I should write it,
so he was dragged in to do some of the work). We went through the
book five complete times and we knew we had it nailed. Then we got
the draft copy print from Createspace and on the first page was a
glaring error. We were bummed. We sat down that sixth time and read
it line by line with yellow highlighters and post-it notes. We marked
every error and corrected them. We are proud of it and have now
gotten compliments on its professionalism.
While I was writing it, I had
made the decision self-publish and learned as much as I could about
the process. I was not going to let Threads be a “hangar queen”
on a dusty pile because it did not meet someone else’s idea of what
my book should be at that moment. Now that it is getting five star
ratings, I know I made the right decision.
Q. It is very well written. Your
patience and knowledge with the whole process of self-publishing, and
your attention in “getting it right the first time” is clearly
evident in Threads, Tom. I think it's worth noting that you donate
10% of the proceeds from your book sales to a special cause, can you
tell us more about that?
A. While I was editing the book, and
learning about self-publishing, I made the decision that Threads
should benefit something important. If it made any money, it was
money that I had not budgeted, so I committed to donate 10% of the
profits to ALS research and patient care. Amyotrophic lateral
sclerosis (ALS), often referred to as "Lou Gehrig's Disease,"
is a progressive neurodegenerative disease that affects nerve cells
in the brain and the spinal cord.
My best friend’s wife, Sheila,
was diagnosed a couple of years back and it really hit everyone hard.
We like to fix things and solve things. I think that Sci-Fi writers
like to envision a future where those things are solved or cured. In
the here and now, that is not the case. I wrote ALS into the book and
it was a struggle to not let my anger at how people are affected
overwhelm the support and strength shown on a daily basis by those
that are dealing with it.
The first royalty check that I
was able to write over to ALS was a significant moment (but a small
amount) in my burgeoning writing career. There are bigger things than
us and our words. We need to understand that and keep things in
perspective.
Q. That's truly touching, Tom, think
of the possibilities if only more authors could do that. You're
obviously a talent to watch, what's next on the horizon for you?
A. I have three projects in the
works, but the one getting most of my attention is “Blood of
Invidia”. An awesome tale of Vampires and Aliens spanning thousands
of years. Galactic conquest with a huge twist.
I have a son in Australia that
I have never met in person, named Morgen. We have been corresponding
for a few years and began tossing story ideas via text message. He is
a really talented writer and his personality speaks to genetics
versus environment…because he is just like me.
I saved the messages, and after
I wrote Threads, I took the messages and did a basic outline for
“Blood of Invidia”. Over time, we flushed out the book. We are
now Skyping and writing it in the cloud, blending our two distinct
styles. We have the draft prologue up on my personal blog. The first
draft of the book will be done in a couple of months.
My two other projects are the
second book in the Fabric of the Universe series. It will be called
“Weaves” and it continues the story started in Threads. I will
get back to it after “Blood of Invidia” is released. I am also
writing more WEBisodes to a Sci-Fi detective series on my blog called
“PULPED!”. They started out as an entry in a micro-story contest
and have taken on a life of their own.
Thanks for joining me,
Tom, I wish you great success, and look forward to seeing you expand
as an author. Any parting words you'd like to leave your readers
with?
For readers? Look at Indie/Self
Published authors. Their books are not restrained by the vanilla
formulaic size and pattern requirements inflicted by the big
publishers and, as such, are more innovative, risky and cutting edge.
For Indie authors? Do not rush
to publish. Beta readers, PROFESSIONAL EDITING and great cover artist
will keep your work from being dismissed. Do you want fans or
one-time buyers?
Unfortunately, there is a lot of
low quality and poorly written stuff out there. It has created a huge
amount of distrust in the readership of Self-Published Authors
Efforts. If the author knows the book has issues…they need to FIX
THEM before they publish. It is not fair to the reader or other
authors when you knowingly let low quality stuff out on the market. I
read a book and the authors notes at the end were “With everyone of
my works, you will get the Typos and Grammatical errors at no extra
charge.”
And yes, in his cute comment, he had another error (“With every one of”). He thought he was being funny. I think he was being unprofessional and knew he was selling me less than his best work. Don’t be that guy.
And yes, in his cute comment, he had another error (“With every one of”). He thought he was being funny. I think he was being unprofessional and knew he was selling me less than his best work. Don’t be that guy.
Great advice,
Tom. I highly recommend Threads. Not only is it a great read, but it
helps a great cause!
Threads: Book One of the "Fabric of the Universe" (Volume 1)
Purchase here for KindleThreads: Book One of the "Fabric of the Universe" (Volume 1) Purchase here for Nook, Sony, Apple Chameleon Author
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